While I love straight-up fiction and read plenty of novels, I’ve always been just as interested in art as I have been in writing. The further into my writing career I get, the more it becomes obvious that art and illustration are just as vital to the way I want to tell my stories. I did the covers for my first few books and started experimenting with illustrating them as well with The Writhing Skies, creating a very strange blend of splatterpunk horror and Betty Boop-inspired illustration. Soft Places is a further step in the direction of telling stories in a way that’s a little different.
My Favorite Thing Is Monsters is described as a graphic novel, but it takes the form of the notebook of a 10-year-old girl who is obsessed with monsters. The art is terrific and the story is haunting and mysterious. I’ve always been a notebook person myself, filling up stacks of sketchbooks through my childhood and teens, so the way the main character processed her life by scribbling on a page really resonated with me. This book is super unique, from the way the character always draws herself as a werewolf, to the mysterious death of her upstairs neighbor, and the way she remembers conversations by drawing them as comics.
Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.
This book is absolutely wild. It purports to be an adaption of an over-the-top gorefest of a movie, plagued by conspiracy theories. Full of footnotes and behind-the-scenes anecdotes and autobiographical details about how the book itself came to be, it not only supposedly adapts a film but tells a far darker hidden story and is overall a lot of dark and spooky fun.
Camp Ghoul Mountain Part VI is one of the most infamous slasher-movie sequels of the 1980s. Known for its over-the-top gore effects, bizarre and psychedelic campground killer plot—and its legacy as a lightning rod for conspiracy theories concerning everything from UFOs and alien abductions to 9/11 and a secret cabal at the heart of world power. This book contains a complete, authorized adaptation of the infamous cult slasher movie as well as the secret history of the behind-the-scenes drama and high-strange events that inspired the filmmakers, complete with footnotes and autobiographical anecdotes. Camp Ghoul Mountain Part VI: The Official Novelization…
A witchy paranormal cozy mystery told through the eyes of a fiercely clever (and undeniably fabulous) feline familiar.
I’m Juno. Snow-white fur, sharp-witted, and currently stuck working magical animal control in the enchanted town of Crimson Cove. My witch, Zandra Crypt, and I only came here to find her missing…
Edward Gorey is a forever favorite of mine, a pen and ink artist popular for the dozens of strange and macabre little books he created. The West Wing is unique in that it has no words at all, and the story is told entirely through his meticulous pen and ink images. Without a plot, or even any characters, there is only mood and vibes, and they are spooky and mysterious. Each page shows a different part of The West Wing and its seemingly endless rooms with their hints of ghosts and the feeling that someone has just left, or that something horrible has just happened. It’s my favorite haunted house story of all time.
Edward Gorey's The West Wing is an invitation to the imagination. On each page, a room beckons, inviting the reader to wonder why three shoes lie here abandoned, what is retreating in that mirror's reflection, or why there is an imprint of a body on the wallpaper, faded and floating four feet above the floor. A wordless mystery, it is one of Gorey's finest works.
This is a more modern pick that is very quickly becoming a cult classic. Told entirely through emails and message board postings, it lays out a very dark story of psychological manipulation between two women. I love found footage horror movies, and this book gives you that same feeling of discovering something you aren’t meant to see (or read).
Three dark and disturbing horror stories from an astonishing new voice, including the viral-sensation tale of obsession, Things Have Gotten Worse Since We Last Spoke. For fans of Kathe Koja, Clive Barker and Stephen Graham Jones. Winner of the Splatterpunk Award for Best Novella.
A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s-a darkness that threatens to forever transform them once they finally succumb to their most horrific desires.
A couple isolate themselves on a remote island in an attempt to recover from…
This is the fourth book in the Joplin/Halloran forensic mystery series, which features Hollis Joplin, a death investigator, and Tom Halloran, an Atlanta attorney.
It's August of 2018, shortly after the Republican National Convention has nominated Donald Trump as its presidential candidate. Racial and political tensions are rising, and so…
These books are just beautiful. I picked them up on sale as a teenager and poured over them over and over. The story is told in the form of letters, postcards, and art sent between two artists. The story is lonely and mysterious, leaving you with more questions than answers. You actually get to open the envelopes and pull out the letters inside as you read. Nick Bantock’s art style is really inspiring.
Soft Places is a novella/graphic novel hybrid, with the story alternating between standard prose and comic book sections.
Johnna is found naked, wandering the streets with a mysterious head injury. Seemingly psychotic, she's forced into the care of perverted psychiatrist Dr. Gonne. Recommended for adult audiences.
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the dead—letters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.
